Whats unique about this varNam is the starcast, so to speak :). So, I started (and finished) learning the majestic chauka kAla varNam in shrIranjani from the Sangeetha sampradAya pradarshini. Though I have always loved them, I have not sat down and learnt a varNam in a long time now. Manirangu is a rāgam which has gāndhāram in the descending scale, while all other notes in both the ascending and descending scale are same as Madhyamavati.In the past 3 or 4 days, I seem to have developed a sudden passion for varNams.Its ārohaṇa-avarohaṇa structure is S R2 M1 P N2 S : S N2 P M1 R2 S Madhyamavati is a rāgam which has a symmetric ascending and descending scale, which matches the ascending scale of Shree.This section covers the theoretical and scientific aspect of this rāgam. Ulagin Mudalisai(Hindi lines in Ragam Pahadi)
Dinamu Dwadasi Nedu by Annamacharya in Telugu.Vanajasana Vinuta composed by Subbaraya Shastri in Telugu.Mayanai part of the Thiruppavai by Andal.Vande Vasudevam by Annamacharya in Sanskrit.Mangalam arul by Papanasam Sivan in Tamil.Karuna judu ninnu by Shyama Shastri in Telugu.Karuna Cheyvan Enthu by Irayimman Thampi.Bhavayami Nanda and Reena Madadritha by Swathi Thirunal.Sri Varalakshmi, Sri Muladhara chakra vinayaka, Sri Kamalambike and Sri vishvanatham bhaje by Muthuswami Dikshitar in Sanskrit.
Nama kumusumamula by Tyagaraja in Telugu.Sami ninnekori, a Varnam by Karur Devudu Iyer in Telugu.The fifth Pancharatna Kriti Endaro mahanubhavulu composed by Tyagaraja in Telugu, the last of the 5 gems.A few of the popular kritis are listed here. Template:Unsourced-section Shree rāgam has been decorated with compositions by many composers. This scale uses the notes chatushruti rishabham, sadharana gandharam, shuddha madhyamam, panchamam, chatushruti dhaivatam and kaisiki nishadam. avarohaṇa: Ṡ N₂ P M₁ R₂ G₂ R₂ S (or) Ṡ N₂ P D₂ N₂ P M₁ R₂ G₂ R₂ S.Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms): It is a audava-vakra-sampurna rāgam (or owdava, meaning pentatonic in ascending scale), where vakra indicates the zig-zag nature of jumping notes in descending scale. Shree is an asymmetric rāgam that does not contain gāndhāram or dhaivatam in the ascending scale. Notes in descending scale is that of Kharaharapriya scale, shown here with shadjam at C
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